Getting ready…

I’ll be doing a solo set at Bitcoin Meets Art tomorrow (Saturday August 23rd) here in Stocholm. I’m posting a few tracks from my rehearsal. All recorded in Ecasound. The gear i’ll be using is (as always) my NSD WAV bass with the Glasser bow (German, of course), the magnificent Zoom B3 and my iPad Mini running Filtatron and Animoog. Please drop by if you can and tip 馃檪

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“Salo”

“Klaus Kinski”

“Rachel”

Ecasound…

It’s the twenty-first century. We have the technology and the intellectual capability to not only conceptualize alternatives to the technologies of the last two hundred years (knobs and buttons) we can also implement those alternatives. Why are you working in a digital audio workstation that forces you into interfacing with it via photo-realistic psudo-representations of ancient technology?

In order to record and mix audio, it is not necessary to see how far to the left, right, up or down a virtual representation of a fader is. It’s audio. You’re supposed to be working with sound – not images. Likewise, if something is too loud (or not loud enough) you will only, properly, make corrections using your ears.

In the time that it takes the average DAW to open, i can record and mix a track in Ecasound. Not only that, the result sounds an awful lot better than what i’ve heard from many of the “industry standard”聽DAWs – all without the cost, clutter and distraction.

A three track mix with effects playing back in Ecasound.

A three track mix with effects playing back in Ecasound.

Modelling…

I’m surprisingly satisfied with the sound of the Zoom B3. Digital modelling has arrived. I actually made the decision this week NOT to invest in any more sexy analog gear because on listening back to recordings from my last gigs, i’m not only impressed with but also surprised at how good it sounds. My current insights fly in the face of even my own prior principals.

Life can be like that…

 

The Zoom B3 with continuous control pedal.

The Zoom B3 with continuous control pedal.