Ecasound…

It’s the twenty-first century. We have the technology and the intellectual capability to not only conceptualize alternatives to the technologies of the last two hundred years (knobs and buttons) we can also implement those alternatives. Why are you working in a digital audio workstation that forces you into interfacing with it via photo-realistic psudo-representations of ancient technology?

In order to record and mix audio, it is not necessary to see how far to the left, right, up or down a virtual representation of a fader is. It’s audio. You’re supposed to be working with sound – not images. Likewise, if something is too loud (or not loud enough) you will only, properly, make corrections using your ears.

In the time that it takes the average DAW to open, i can record and mix a track in Ecasound. Not only that, the result sounds an awful lot better than what i’ve heard from many of the “industry standard” DAWs – all without the cost, clutter and distraction.

A three track mix with effects playing back in Ecasound.

A three track mix with effects playing back in Ecasound.

Listening…

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Listening...

The Ayler. Set Two. i’m listening to the recording of the Albert Ayler Birthday Celebration that i put together at the Vortex back in 2010. If all goes well, this may get released this year. Wow, it sounds great. The magic was definitely on that night. Brilliant contributions from all involved. Thanks and blessings all around!